This past weekend saw the 2nd exhibition for the Open Doors Project. This one was based around the SW4 postcode, which is the Clapham area. It was held in a lovely, lofty-type space at the Clapham North Arts Centre and was filled with the artist’s impressions of SW4 and very rapidly, with happy art viewers.
I got to show the first in my series of new work. This series is embroidered and based on maps, but it still retains the ambiquity and web-like quality of my previous work.
It’s based on a map of Clapham, Brixton, and Streatham where I used to live. I’ve embroidered the lines of every street I’ve been on in the area. It was done on dissolve-able fabric wherein I embroider directly on the plastic-y fabric and when I’m done, I dissolve it and only the string is left. It allows me to do a lot more intricate work than I can with crochet.
Thanks to the wonders of modern technology, I’ve found out about, applied, and was accepted(thank you!) to a group show of small works at a new gallery on Vyner Street. Vyner street is a metaphorical gauntlet of galleries ranging from the very established (Wilkinson) to up-and-coming like DegreeArt.com (just don’t do an internship there in winter), to the brand spanking new like Cultivate.
According to their webpage (what else), Cultivate is an artist’s space as of 1 September, 2011 and according to Sean, one of the organisers, it opened to the public in a mad 22 hour rush. He seemed a lot less traumatized about it than I would have been, and seemed to rather enjoy it! And why wouldn’t he? It’s a new (ad)venture set up to be an artist’s run alternative to the London art’s scene. It’s DIY (everyone loves that) and very personable so far. Running for 6 months (or longer if possible), Cultivate is just finishing their first show, called Red, which opened with what seemed like a fun, rambunctious, birthing ceremony.
Their next show is called Little Benefits, showing small, affordable pieces to the benefit of all those involved. The entrance fee is a very reasonable 10 pounds, the artist gets their work shown (for sale) on Vyner street, and it helps to fund the gallery in their burgeoning months.
I’m of course new to the art scene and has had a very positive experience with those I’ve worked with so far and as I’ve just started, I welcome any opportunity I can get. This is also a second opportunity to see my work done for the Open Doors London: W12 exhibition that ran for the weekend of September 25th.
It’s also started turning the wheels in my curious brain about the role of the internet and information in my art and in my practice. During my library degree, we talked a lot about how the internet and the interactivity of the internet is changing information practice. I also hear all the time about how people did such and such using Twitter or how so and so built their career using Facebook. Maybe I’ll be the next success story.
Oh you’ve moved to London? Do you have an A-Z? A city and it’s map is a match made in heaven. There’s something about London that just screams out for a map, and not just the ease of getting lost on some of it’s Mediaeval streets. (I was going to say street plan, but that seems a bit generous.)
At the Museum of London, a fantastic museum for tourists and Londoners alike, there’s an area where the walls are literally covered with maps and it can cause a bit of a bottle neck. You can see that where your flat is used to be a field and that the roads are still the same hundreds of years ago in places. Or the spelling as changed. Or there used to be an airport near Waterloo Station?
The old tube maps are also fascinating. The Bakerloo line was much bigger for instance, and the old line kind of explains its current, rather odd path.
In terms of maps in general (with a US focus) there is a rather good collection of articles here on Brain Pickings. In terms of maps of London, there is a huge array here at MappingLondon.co.uk
Aside from providing an outlet for those obsessed with their city, maps are seriously beautiful designs and objects. They range from visually simply functional to extravagant and gorgeous. They can also be very topical such as this map of tweets in London.
Maps are also illustrated memories and histories. Traditionally, political or trade histories, but they can also be personal histories. A scribbled-on old A-Z for instance, or the book of a Carolinian neighbourhood in Everything Sings. The originator of the carved pumpkins map.
What’s with all the maps? Well, I’m still working on my map project, which plans in store for a second for the next OpenDoors. More to come.
As you may know from my last post, this weekend was the Open Doors London: W12 Exhibition. My first public showing of my work and generally a lovely/interesting/forward thinking community initiative and art project. Set up by Tom and Katy, it’s a project for London post codes to share places. I know it was so much work for them, and for the artists and it came together really well. There was lots of community support and lots of good feedback.
I am very proud of my work and it turned out exactly as I imagined. Lots of lovely people came to see it (including my boss at work).
It was odd to see my work next to ‘proper’ artist’s work. People who went to art school and who have exhibited before. I was surprised how well my stuff held up.
However good my work is and how proud I am of achieving my New Year’s Resolution, I found a pair of textile artists that put my work to shame. They’re doing basically what I’d love to do if I had the time/space/skill.
“this is elna” fiber lighting installation from elna and ( e i ). night documentation series with nude figure. model, Alese. photo by David Nebert
I have a lot of work to do. One exhibition doesn’t make an artist.
I’ve had a very special project going on in the past few months– my first exhibition! It is with Open Doors London, a pop up gallery exploring London’s post codes. This is the first exhibition of the series and it’s based in W12, especially Shepards Bush.
Open Doors London: W12, sourced from Open Doors
I’ve made four pieces, all in black and white, and centring on Shepards Bush Green. They all have my webs of course.
On the cutting room floor.
I’m exhibiting with some fantastic people who I’ve not met yet, but am very much looking forward to it. If you care to see my work (and the other artists), please stop by 28 Galloway Road, in London, between 11am and 6pm, the 24th of September. Nearest tube is Shepards Bush. 🙂