Monthly Archives: October 2011

This Thursday, Thursday, Thursday for Ten Days Only

Thanks to the wonders of modern technology, I’ve found out about, applied, and was accepted(thank you!) to a group show of small works at a new gallery on Vyner Street. Vyner street is a metaphorical gauntlet of galleries ranging from the very established (Wilkinson) to up-and-coming like (just don’t do an internship there in winter), to the brand spanking new like Cultivate.

According to their webpage (what else), Cultivate is an artist’s space as of 1 September, 2011 and according to Sean, one of the organisers, it opened to the public in a mad 22 hour rush. He seemed a lot less traumatized about it than I would have been, and seemed to rather enjoy it! And why wouldn’t he? It’s a new (ad)venture set up to be an artist’s run alternative to the London art’s scene. It’s DIY (everyone loves that) and very personable so far. Running for 6 months (or longer if possible), Cultivate is just finishing their first show, called Red, which opened with what seemed like a fun, rambunctious, birthing ceremony.

Their next show is called Little Benefits, showing small, affordable pieces to the benefit of all those involved. The entrance fee is a very reasonable 10 pounds, the artist gets their work shown (for sale) on Vyner street, and it helps to fund the gallery in their burgeoning months.

I’m of course new to the art scene and has had a very positive experience with those I’ve worked with so far and as I’ve just started, I welcome any opportunity I can get. This is also a second opportunity to see my work done for the Open Doors London: W12 exhibition that ran for the weekend of September 25th.

It’s also started turning the wheels in my curious brain about the role of the internet and information in my art and in my practice. During my library degree, we talked a lot about how the internet and the interactivity of the internet is changing information practice. I also hear all the time about how people did such and such using Twitter or how so and so built their career using Facebook. Maybe I’ll be the next success story.


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Cartographic Memory

Oh you’ve moved to London? Do you have an A-Z? A city and it’s map is a match made in heaven. There’s something about London that just screams out for a map, and not just the ease of getting lost on some of it’s Mediaeval streets. (I was going to say street plan, but that seems a bit generous.)

At the Museum of London, a fantastic museum for tourists and Londoners alike, there’s an area where the walls are literally covered with maps and it can cause a bit of a bottle neck. You can see that where your flat is used to be a field and that the roads are still the same hundreds of years ago in places. Or the spelling as changed. Or there used to be an airport near Waterloo Station?

The old tube maps are also fascinating. The Bakerloo line was much bigger for instance, and the old line kind of explains its current, rather odd path.

In terms of maps in general (with a US focus) there is a rather good collection of articles here on Brain Pickings. In terms of maps of London, there is a huge array here at

Aside from providing an outlet for those obsessed with their city, maps are seriously beautiful designs and objects. They range from visually simply functional to extravagant and gorgeous. They can also be very topical such as this map of tweets in London.

Maps are also illustrated memories and histories. Traditionally, political or trade histories, but they can also be personal histories. A scribbled-on old A-Z for instance, or the book of a Carolinian neighbourhood in Everything Sings. The originator of the carved pumpkins map.

What’s with all the maps? Well, I’m still working on my map project, which plans in store for a second for the next OpenDoors. More to come.

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